A white zircon set into oxidized S925 silver, held inside a six-point frame and finished with an 18G screw-on post.
The front starts with light. A clear white zircon catches it in small cuts, bright for a second before the aged silver takes over. Around the stone, the six-point frame rises like an old metal setting — not smooth, not delicate, not trying to disappear. Small raised points hold the center in place, while blackened grooves create depth around the edges.
Turn the stud slightly, and the side becomes part of the design. Darkened cutouts and moon-like markings appear in the silver wall, giving the piece a more worn, symbolic feel. It is not just a stone setting. It is a small object with a front, a side, and a back.
At 6.3mm, it stays daily-wearable, close to the lobe, and easy to keep on. The white zircon gives it a flash. The oxidized silver decides how much.
You wear it with a black tee, a worn jacket, hair pushed back without thinking. Someone notices the stone first. Then the frame. Then the dark marks on the side. It does not feel clean. It feels kept.